Jessica M. Zychowicz PhD, University of Michigan; BA, University of California Berkeley
I am an educator, director, scholar, editor, curator and author.
Currently I work for an academic non-profit as the
Director of Fulbright Ukraine and
IIE: Institute of International Education,
overseeing one of seven international offices
on five continents with headquarters in NYC.
For an overview of the history of IIE since 1919, see here.
I earned my doctorate at the University of Michigan in Slavic Languages and Literatures with a cognate in History. I also hold a BA in English Literature from the University of California Berkeley.
At present I am working on a new monograph under contract with University of Toronto Press which involves a cultural history of computing; the very initial phase of this project received a U.S. Fulbright Scholar Award in 2017-2018.
I am currently collaborating in these and other areas as
Associate Advisor to the Human Rights Program at University of Arizona.
I am also acquiring new unpublished scholarly research as
Co-Founding Editor since 2016 of the award-winning
Forum on Race and Postcolonialism in North America and Ukraine at the Journal of Ukrainian Politics and Society.
My recent monograph, Superfluous Women: Art, Feminism, and Revolution in Twenty-First Century Ukraine (University of Toronto Press 2020) has received multiple awards and is taught and reviewed by scholars across several disciplines.
My book has now been translated and published in a Polish edition by Museum of Modern Art Warsaw with Karakter Press in a well known series
Some of the awards my book has received:
American Association of Ukrainian Studies Book Prize 2022, the MLA Scaglione Prize in Slavic Studies (Honorable Mention) 2021, and ASEEES Omeljan Pritsak Prize (Honorable Mention) 2022.
I often deliver guest lectures and workshops invited by those who teach my book at universities including Rutgers, Columbia University, U-Illinois, Connecticut College, Dresden University, Greifswald University, Uppsala, and in Ukraine including KSE, KPI, KMA, KNEU, UCU, etc.
I was a Fulbright Scholar at Kyiv-Mohyla Academy (2017-2018) and a Postdoctoral Fellow at the University of Toronto Munk School of Global Affairs (2015-16), where I designed and taught a graduate course and hosted an international conference sponsored by the History, Sociology, and Slavic Departments. I have also taught at the University of Michigan and at the Irish Museum of Modern Art.
In my creative endeavors I am engaged with literary translation of contemporary Ukrainian poetry and prose, as well as the visual arts as a theorist, critic, and curator.
I have curated and co-curated smaller exhibitions at museums and universities. In 2022 and 2023 I contributed as an author and curatorial expert on a major exhibition with the Irish Museum of Modern Art dedicated to the 1920-30s avant garde in Europe, Latin America, and North Africa.
Reception of the Polish edition of my book, published by Karakter & MSN
(original in English on U-Toronto P):
Book Launch at National Museum of Modern Art in Warsaw, Muzeum Sztuki Nowoczesnej
Review in Dwutygodnik (in Ukrainian and Polish): Ти не йтиммеш сама / Wszystko się uwidoczniło, by Natalia Matsenko.
Review in SZUM. "Majdan jest Szkołą. Feminizm, sztuka i rewolucje w Ukrainie w XXI wieku Jessiki Zychowicz," by Mariia Varlygina.
Review in TECHNE Journal of Art History Łódź University, by Joanna Dobkowska-Kubacka and archived here.
Excerpt in Konteksty. National Academy of Sciences of Poland "Zły mit. Obrazowanie międzypokoleniowych przeżyć rewolucji i wojny w Ukrainie przed 2022, przeł. Aleksandra Paszkowska" w "Ukraińskie pejzaże: rekonstrukcje, Wojna. Sztuka. Dekolonizacja," Ed. Tomasz Szerszen.
Book Presentation & Dialogue with Curator & Diplomat Anna Łazar, Sztuka, feminizm i rewolucje XXI wieku w Ukrainie (Modern Art Museum Warsaw & KARAKTER Press, Sept. 2024) at Gdańsk Miasto Literatury DŁUGA 35 project.
Chapter. Jessica Zychowicz, pp. 44-58.
Volume Presented by Ed. Svitlana Biedarieva at Columbia University, NYC.
AWARDS:
American Association of Ukrainian Studies Prize, 2022
MLA: Modern Language Association Aldo and Jeanne Scaglione Prize for Slavic Languages & Literatures Honorable Mention 2021
ASEEES: Association of Slavic, East European, and Eurasian Studies Harvard Omelijan Pritsak Prize for Ukrainian Studies Honorable Mention 2021
SUPERFLUOUS WOMEN: ART, FEMINISM, AND REVOLUTION IN TWENTY-FIRST CENTURY UKRAINE
by Jessica Zychowicz
(University of Toronto Press 2020)
AWARDS:
American Association of Ukrainian Studies Prize, 2022, here.
MLA: Modern Language Association Aldo and Jeanne Scaglione Prize for Slavic Languages & Literatures Honorable Mention 2021, here. (This book is the first title pertaining to Ukraine to win this award in any category since the prize began in 1996).
ASEEES: Association of Slavic, East European, and Eurasian Studies Harvard Omelijan Pritsak Prize for Ukrainian Studies Honorable Mention 2021, here.
Shevchenko Scientific Society of Canada book grant, 2019.
Canadian Society of Ukrainian Studies book grant, 2019.
Research grants and fellowships from: U-Michigan IRWG; U-Toronto Munk School; U-Alberta . . .
Author Interview. ASEEES: Association for Slavic, East European, Eurasian Studies. 2021, here.
See among "10 Books for Understanding Ukraine" here.
SELECTED REVIEWS:
Sasha Razor for the Society of Historians of Eastern European, Eurasian, and Russian Art and Architecture (SHERA): Spring 2021. here.
Mayhill C. Fowler for The Russian Review 80 (4) October 2021. here.
Halyna Kohut for Die Zeitschrift für Kunstgeschichte [Journal of Art History] (85) 2022: 569-73. here
Kateryna Iakovlenko for LB.ua: Дорослий погляд на світ. Fall 2021. here.
Emily Channell-Justice for H-Ukraine Reviews. here.
Halya Vrublevska for KRYTYKA Journal November 2021. here.
Vira Sachenko for KULT (Issue 64). International Graduate Centre for the Study of Culture, University of Giessen, Germany. December 2021. here.
Irina Genova at New Bulgarian University, Institute of Art Studies, Sofia for ASPASIA: The International Yearbook of Central, Eastern and Southeastern European Women's and Gender History. Vol. 15 (1), 2021, pp. 205-207. here.
New Edition translated into Polish, Aleksandra Paszkowska
with a Forward by Natalia Sielewicz and Epilogue by the author:
Jessica Zychowicz, Sztuka, feminizm, i rewolucja w Ukrainie XXI wieku, Transl. Aleksandra Paszkowska. Museum of Modern Art Warsaw with Karakter Press, 2024.
Excerpt in :
New Edition in Ukrainian translation, forthcoming Summer 2025.
FREEDOM TAKING PLACE: WAR, WOMEN AND CULTURE AT THE INTERSECTION OF UKRAINE, POLAND, AND BELARUS
Edited and with an Introduction by Jessica Zychowicz
(Vernon Press, 2023).
CONTRIBUTORS: Oksana Briukhovetska (Secondary Archive.org), Magdalena Furmanik-Kowalska (The Polish Institute of World Art Studies, Poland; Fundacja Art & Modern), Małgorzata Jankowska (Academy of Fine Arts in Gdańsk, Poland), Olga Plakhotnik (Ethnology Institute of National Academy of Sciences of Ukraine; University of Greifswald, Germany), Maria Mayerchyk (National Academy of Sciences of Ukraine; University of Greifswald, Germany), Svitlana Biedarieva (Kennan Institute Wilson Center George Washington University), Kateryna Iakovlenko (Suspilne.media; UCL SSEES), Joanna Dobkowska-Kubacka (University of Łódź, Poland), Veronica Laputska (Graduate School for Social Research, Institute of Philosophy and Sociology, Polish Academy of Sciences), Antonina Stebur (Spaika.media; The International Coalition of Cultural Workers Against the War in Ukraine; Universität der Künste Berlin, Germany; European College of Liberal Art, Minsk, Belarus), Nataliya Tchermalykh (University of Geneva, Switzerland), Jessica Zychowicz (Fulbright Ukraine; Institute of International Education Kyiv office), Agnieszka Graff (American Studies Center, Warsaw University), Natallia Paulovich (Independent Researcher, Warsaw, Poland), Iryna Shuvalova (University of Oslo, Norway).
SUMMARY: Freedom as a concept shifts with different forms of expression. As the authors of this volume convey in their focus on 'freedom of expression', the idea of 'freedom' in the twenty-first century does not stand apart as a purely physical location marked by national borders. In the Internet Age information is increasingly co-determinate of physical freedom. The information-dense space of the protests of 2021, and beyond, provide soil for the intellectuals writing in this volume to reflect on women’s agency in struggles for human rights.
Where historical discourse on “The Woman Question” once conflicted with “feminism” as a perceived importation from the West, this conflict also produced productive tensions that have provided ongoing sites for research. When closely studied, these contexts can deepen global concepts of democracy and justice, providing not only pathways for acts of solidarity and mutual assistance, but intellectual depth and breadth for the future 'ways of knowing', and thus ways of creating, more equitable post-conflict power systems and citizenship amid times of revolution and war. Coming from multiple generations, gender identities, nationalities, and languages; the authors in this volume represent the most forward-thinking voices and figures working on gender in the region today.
COVER IMAGE: from the series called "Drawing on Maidan" (2013) by the contemporary Ukrainian artist Lesia Khomenko. Khomenko had sketched many faces of people she saw on the Maidan in 2013 on sheets of paper over a carbon block. The many papers with individual portraits are also part of the series, but what you see here is the residual carbon block, which becomes a palimpsest of hundreds of faces. This particular series of works by Khomenko is kept at the Revolution of Dignity Museum in Kyiv.
SELECTED PRAISE:
"This volume Freedom Taking Place: War, Women, and Culture at the Intersection of Ukraine, Poland and Belarus, Ed. Jessica Zychowicz (Vernon Press, 2023) presents in-depth analyses of the extraordinary challenges faced by women in Ukraine, Poland and Belarus. The authors show women of Eastern Europe as core agents of social change behind historic movements, including the Revolution of Dignity in Ukraine, anti-state protests in Belarus in 2021-22, and the 'Black Protests' in Poland. This collection is a must-read for scholars and students of women’s rights and Eastern Europe, as it analyzes the interplay between war and feminism, identity and reproductive rights, violence against women, and gender equality in a fast-changing part of the world." - Prof. Dr. Sophia Wilson, Southern Illinois University Edwardsville, President, American Association for Ukrainian Studies
"Freedom Taking Place: War, Women and Culture at the Intersection of Ukraine, Poland, and Belarus is a compelling and original collection. The richness of the sources and the interdisciplinary nature of the methodology is very impressive. [...] The reflection on self-positionality and opening a conversation about the work on the intersection of activism and academic commitment is long overdue in East European studies. I am convinced that this book can become a very strong addition to many courses on Eastern Europe, and feminism as well as courses on art history and gender studies. [...] This book will be a great and important accomplishment." - Prof. Anna Müller, Frank and Mary Padzieski Endowed Professor in Polish/Polish American/Eastern European Studies, Assistant Professor of History, University Michigan.
Keynote. IMMA: Ireland Museum of Modern Art, 100 Years of Self-Determination (research conference), Dublin, Ireland November 9, 10, 11, 2023. Link.
Chapter. "From 'The Woman Question' and 'The Ukraine Question' to Self-Determination: Revisiting 1920s-30s Mass Politics, Revolution, and War in the Twenty-First Century." In Art and Self-Determination: A Reader, upon the international exhibition 100 Years of Self-Determination: A Global Perspective. Irish Museum of Modern Art (IMMA): Dublin, 2023. pp. 72-82. LINK to full publication.
Race & Postcolonialism in North America and Ukraine
at Journal of Ukrainian Politics and Society (Harvard University)
Co-Founding Editors:
Dr. Jessica Zychowicz
Dr. Grace Mahoney
Dr. Oleh Kotsyuba
2016: Established
2020: Recipient of the Lysiak-Rudnytsky Award (overview)
2024: Acquisitions ongoing
RECENT HIGHLIGHTS
Invited Talk. "My Two Decades of Dialogue with Ukraine and its Artists,"
28th Annual Ukrainicum Summer School: Wounds of War: Two Years After the Invasion.
University of Greifswald, Germany, August 2024.
Chapter. "From 'The Woman Question' and 'The Ukraine Question' to Self-Determination:
Revisiting 1920s-30s Mass Politics, Revolution, and War in the Twenty-First Century."
Art in Ukraine: Identity Construction and Anti-Colonial Resistance. Ed. Svitlana Biedarieva.
Preface by Vitaly Chernetsky. Routledge Research in Art and Politics Series: New York, 2024.
Jessica Zychowicz, "Artistic Method in Early Civic Documentations of the Ukraine-Russia War," in
POST-SOVIET WOMEN: NEW CHALLENGES AND WAYS TO EMPOWERMENT,
Eds. Ann-mari Sätre, Yulia Gradskova, Vladislava Vladimirova, Springer Link Palgrave Macmillian, 2023.
This peer-reviewed academic resource features several international experts with decades of research specializing
on the past 20-25 years spanning 10 Post-Soviet countries. The investigative and critical approaches proceed
under the aegis of the United Nations Sustainable Development Goal 5: Human Rights and Gender Equality.
Ann-mari Sätre, Professor in Eurasian Studies and Director of Research
at the Institute for Russian and Eurasian Studies, Uppsala University, Sweden.
Yulia Gradskova, Associate Professor of History and Research Coordinator
at the Centre for Baltic and East European Studies at Södertörn University, Sweden.
Vladislava Vladimirova, Associate Professor of Cultural Anthropology
at the Institute for Russian and Eurasian Studies and the Department of Cultural Anthropology and Ethnology,
Uppsala University, Sweden.
Description:
This volume explores how different post-Soviet countries have reinterpreted and diverged from the Soviet gender roles and values. It synthesizes results from multiple empirical studies that attend to increasingly conservative features of political governance in the region, particularly the authoritarian regime in Russia. The authors consider diverse enactments of ideologies, policies and practices of gender equality and women's rights in crucial areas, such as legislative institutions, media, and social activism. The volume contributes to understanding post-Soviet societal dynamics relevant to United Nations Sustainable Development Goal 5, which emphasizes gender equality as part of fundamental human rights.
“Inevitably in the shadow of the Russian invasion of Ukraine, the question Russia watchers will ask is where the soldiers’ mothers are who took to the streets to protest the Chechen wars. In its analysis of how the conservative turn in politics of the last two decades has undermined the steps made towards gender equality and the empowerment of women in the USSR successor states, this anthology provides some convincing answers. The story is not all gloom. The impressively researched essays, which introduce the reader to a broad range of case studies, also tell of the ways that women are fighting back within the constraints they face by an emboldened patriarchy across the region.”
--Judith Pallot, Emeritus Professor, University of Oxford, UK.
Interview August 30, 2023, by Ukrainian Institute Kyiv
CRITICAL JUNCTURE: WHY SUPPORTING PROJECTS IN UKRAINIAN STUDIES IS ESSENTIAL
"Seven in-depth interviews were conducted in June-July 2023 by Dr. Oleksandra Gaidai, Dr. Olena Kovalenko, Victoria Kravchuk over zoom based on a prepared questionnaire. A list of participants includes: Jessica Zychowicz, Director of Institute of International Education Kyiv and Fulbright Ukraine, Natalia Otrishchenko, a sociologist and head of the Voice of Euromaidan project by Center of Urban History of East Central Europe in Lviv, Anastasiia Tsisar, art curator and scholar, Iuliia Bentia, musicologist and editor of Krytka Magazine, Sofia Dyak, historian and Director of the Center for Urban History of East Central Europe in Lviv, Larysa Dovha, Professor of Kyiv-Mohyla Academy, Head of the project UCulture, Zhanna Chepela, Director and composer, Head of the Kharkiv. Culture. Fortress. project. The research was conducted within the project Lysiak-Rudnytsky Ukrainian Studies Programme of 2022/2023 implemented by the Ukrainian Institute and Ilko Kucheriv Democratic Initiatives Foundation and supported by a grant from the International Renaissance Foundation. Launched in 2020 by the Ukrainian Institute, the Lysiak-Rudnytsky Ukrainian Studies Programme sees strengthening the educational compotent as one of its main objectives by makiung sources available and creating resources in English and other languages. The programme is currently completing its second edition with 11 projects supported in 2020-2023."
Curatorial Collaborations:
Opening November 28, 2023 at IMMA: Ireland Museum of Modern Art: SELF-DETERMINATION: A GLOBAL PERSPECTIVE stands as a significant museum-wide exhibition at IMMA and an integral part of the Decade of Centenaries programme, marking a century since the partition of Ireland and the subsequent formation of the Irish Free State in 1922.
This exhibition places a spotlight on the profound role of art and artists in shaping nation-building and statecraft. By curating an eclectic collection of Irish and International works, both modern and contemporary, the exhibition seeks to explore and illuminate the shared experiences of the new states that emerged in the aftermath of the First World War.
Chapter. "From 'The Woman Question' and 'The Ukraine Question' to Self-Determination:
Revisiting 1920s-30s Mass Politics, Revolution, and War in the Twenty-First Century."
In Self-Determination: A Global Perspective. Exhibit and Book. Dublin: IMMA Ireland Museum of Modern Art, 2023.
Keynote. Dublin at Ireland Museum of Modern Art: 100 Years of Self-Determination. Centennial of the Irish Revolution. Conference.
"A Transatlantic View of Revolution and War in the Twenty-First Century." Link to recording of the presentation.
NewsNet: News for the Association of Slavic, East European and Eurasian Studies v. 63 no. 2:
"Curating the War: A Conversation with Jessica Zychowicz and Grace Mahoney." March 2023. Link here.
PULP! Interview: " 'I HAVE A CRISIS FOR YOU': WOMEN ARTISTS OF UKRAINE RESPOND TO WAR' ACTS AS AN ARCHIVE OF WITNESS AND RESPONSE"
by Natalia Holtzman, Thursday, February 16, 2023. LINK HERE.
Interview. Sophie Schmäing at Berlin ZOis and Prisma Ukraina, "Photographers are very eloquent speakers":
A Conversation with Jessica Zychowicz and Mariia Kravchenko on the Exhibition Ukraine: War and Resistance.
VON FORUM TRANSREGIONALE STUDIEN · 7. SEPTEMBER 2023.
Ukraine: War and Resistance Exhibition of American and Ukrainian Photographers of the Russia-Ukraine war.
Versions of this exhibition have been shown at over 40 locations in Europe, U.S., and Ukraine. Locations include: Vynnitsia City Museum in Ukraine; U-Minnesota; University of Pennsylvania Annenberg Center for Media at Risk; MichiganTech; U-Iowa, San Francisco Great Highway Park, Art in Exile Berlin, The Netherlands Four Freedoms Awards, University of Maryland, University of California Berkeley Library online permanent exhibition, and in key historical sites in Sofia, Prague, Vienna, and several other cities.
This exhibit presents the works of renown photographers and journalists: JT Blatty, Alexey (Oleksii) Furman, Brendan Hoffman, Serhii Korovayny, Oksana Parafeniuk, Joseph Sywenkyj, and Emine Ziyatdinova. The images by these individuals have appeared in media worldwide and continue to inform how people understand the Russia-Ukraine war; the images within this exhibit were shown for the first time in Ukraine, during autumn 2022 at the Museum of the City of Vinnytsia. Now, in 2023, both the geography and meaning of the exhibition continue to expand because the themes and plots within these works have become increasingly critical. Thanks to the joint initiative of the Fulbright Academic Exchange Program in Ukraine, the Institute of International Education, and several partnering host institutions, the photo exhibition Ukraine: War and Resistance continues to travel.
Panelist. "Solidarity with Ukraine: Scholars at Risk." IIE & Poland National Academy of Sciences. NAFSA Conference. Washington, D.C. May 2023.
Panelist. "Overview of the SUDUS Project since 2018: Strengthening Ukraine's Displaced Universities Sustainability" with Project Lead Serhiy Zaitsev.
Conference title: Education Disrupted! Universities in a Time of War! Co-organized by Redlands University, Kyiv National Economics
University, and University of Economics Bratislava. February 23, 2023.
Panelist. "Ukrainian Women and the War" with Dr. Cynthia Buckley, Dr. Marta Havryshko, Dr. Oksana Kis. Hosted virtually by the
Romanoff Center for Russian Studies, the Dept. of International & Area Studies, and the Dept. of Women's and Gender Studies
at the University of Oklahoma. Organized by the Association for Women in Slavic Studies Annual Panel Series.
February 16, 2023. Link here.
Keynote Speaker in-person in Dublin at Ireland Museum of Modern Art: 100 Years of Self-Determination, November 9, 10, 11, 2023.
Link to recording of the presentation. Link to Full Event Program.
Chapter. " 'As Never Before': The Body and Revolution in the Ukrainian Worlds of Natalka Husar and Lesia Khomenko" in
UKRAINIAN CANADIAN VISUAL ART, Eds. John-Paul Himka and
Kalyna Somchynsky. Edmonton, U-Alberta: Shevchenko Scientific Society of Canada, 2022. Link. PDF.
Co-Editor, Special Issue of East West Journal of Ukrainian Studies Vol. 9 No. 2 (2022): "Odesa's Many Frontiers" University of Alberta.
Available here: East/West: Journal of Ukrainian Studies (ewjus.com).
For more, see under "Publications" and "Talks & Presentations."
Catherina Lisovenko, 2022
Visual Art Exhibition & Public Program with Roundtable, International Institute-CREEES University of Michigan
"Women Artists of Ukraine Respond to War"
Curators: Dr. Jessica Zychowicz & Grace Mahoney. Featuring original works by 10 established Ukrainian women artists created during 2022 after the large-scale invasion of Ukraine. Institute for Research on Women and Gender (IRWG) Lane Gallery August 25 - December 31 2022 & International Institute January - April 2023 at UNIVERSITY OF MICHIGAN.
Title Image: Ukraine Will Resist by Kinder Album (2022). Announcement.
Link to Roundtable Discussion (recording)
Date: September 16, 2022; 3:30-5:00pm ET Location: 1010 Weiser Hall, University of Michigan, Ann Arbor
Presenters and Co-Curators: Jessica Zychowicz and Grace Mahoney
Co-sponsors: Center for Russian, East European, and Eurasian Studies Department of Slavic Languages and Literature Department of Women's Studies and Gender Studies Institute for Research on Women and Gender Museum Studies Program Weiser Center for Europe & Eurasia Weiser Center for Emerging Democracies.
Keynote Opening Lecture. Ireland Museum of Modern Art Summer School 2022.
"From a War of Images to an Image of War: Artistic Representation in Poland & Ukraine 2000s to Today."
PODCAST: Doing Things with People / Взаємодія з людьми
A Ukrainian language discussion of the ideologies, ideals, and ambitions that inform work with public audiences with Svitlana Osipchuk, Viktoria Naumenko, Darya Tsymbalyuk and Jessica Zychowcz. This episode is part of a podcast series which emerged from the British Academy-funded 2020 workshop "Slavic Studies Goes Public: Creating an ECR Network in the Public Humanities" at the University of St Andrews, Scotland.
Svitlana Osipchuk is a lecturer in history at Kyiv Polytechnic Institute. One of the examples of her public engagement work is a series of projects in public education dedicated to memory of the Holocaust in Ukraine. For the past two years she has also been involved with the Donbas Media Forum as a content curator. Dr. Jessica Zychowicz is an author and curator who looks through the lens of gender interpretations of history in places of memory, migration, and violence / trauma. She is interested in deconstructing the concepts of the "diaspora" and is currently advising on a large-scale project of communities of several generations and waves of Ukrainian immigrants to Canada. She is currently a postdoctoral scholar at the University of Alberta, Canada. Her monograph Superfluous Women: Feminism, Art, and Revolution in 21st-Century Ukraine was published in Toronto University Press in 2020. Victoria Naumenko is a co-founder of the Institute of Social Strategies and Initiatives, a researcher of the documentary and educational project "Soviet Survivors of Nazi Rule: The First Testimonies", coordinator of Ukrainian educational projects of the International Education Center in Dortmund. Manager of the project "Vilcha - resettled village", which brought together young people from Ukraine and Germany to study forced resettlement from the Chernobyl zone and the ATO zone on the example of the village of Vilcha. Daria Tsymbalyuk is a researcher and artist working on migration and the environment. She is a co-founder, along with Yulia Filipieva and Viktor Zasypkin of the project Donbas Odyssey which tells stories about the cities of Luhansk and Donetsk regions through interventions in public space and exhibitions. The project has been notably presented at Art Arsenal (2016), the Odessa Biennale of Contemporary Art (2017), the Festival of Migration Narratives in Izmir ( 2018) and the Bayer Theater in St. Andrews ̈ (2019). She is currently a PhD candidate at the University of St. Andrews, as well as a collaborator, along with Kateryna Voznytsia, Viktor Zasypkin, and Yulia Serdyukova on the forthcoming animated film “The Garden Has Moved.”
Opening Lecture of the Series. Dr. Jessica Zychowicz. University of Dresden. Lecture Series, Doing Gender in Eastern European Art
"Ukrainicum" 26th Annual Summer School, Greifswald, Germany, August 2022
Chapter. "A New Dawn at the Centennial of Suffragism: Artistic Representation in Transeuropean and Transatlantic Kyiv." In Contemporary Ukrainian and Baltic Art: Political and Social Perspectives, 1991-2021.
Ed. Svitlana Biedarieva. New York and Berlin: Columbia University Press with Ibidem-Verlag, 2021.